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He was replaced by Pete Bremy, and Vanilla Fudge launched a "Farewell Tour" in 2011, which continued for several years. More tours followed, and membership continued to revolve, with the most notable departure being Bogert in 2011. That group released Out Through the In Door in 2007. Several other minor switches in the lineup followed in the next few years and, in 2007, they featured Mark Stein on vocals/keyboards instead of Pascali. These reunions often had differing lineups, always anchored by Carmine Appice and usually Tim Bogert, although the latter opted out of an early-'90s incarnation.Īt the turn of the millennium, the group - featuring Appice, Bogert, keyboardist Bill Pascali, and guitarist Vince Martell - launched a more serious comeback heralded by the 2002 album The Return. Vanilla Fudge reunited in 1984 for the poorly received Mystery album, and, over the course of the next two decades, Vanilla Fudge would regroup for tours. Appice went on to become an active session and touring musician, working with a variety of rock and hard rock artists. Bogert and Appice first formed the hard rock group Cactus, then later joined Jeff Beck in the aptly named Beck, Bogert & Appice. farewell dates and disbanded in early 1970. Following the release of their final album, Rock & Roll, Vanilla Fudge played a few U.S. Exhausted by the constant touring, the band decided that their late-1969 European tour would be their last. After part of the band recorded a radio commercial with guitarist Jeff Beck, an idea was hatched to form a Cream-styled power trio with plenty of individual solo spotlights. In 1969, the band kept touring and released their first album without Morton, the expansive, symphonic-tinged Near the Beginning. The band supported it by touring with Jimi Hendrix, opening several dates on Cream's farewell tour, and later in the year, touring again with the fledgling Led Zeppelin as their opening act. It was followed by Renaissance, one of Vanilla Fudge's best albums, which also hit the Top 20. That summer, Atco reissued "You Keep Me Hangin' On," and the second time around it climbed into the Top Ten.
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Despite its somewhat arty, indulgent qualities, the LP was a hit, climbing into the Top 20. Things started to pick up for them in 1968: early in the year, they headlined the Fillmore West with the Steve Miller Band, performed "You Keep Me Hangin' On" on The Ed Sullivan Show, and released their second album, The Beat Goes On. "You Keep Me Hangin' On" didn't perform as well as was hoped, but the band toured extensively behind its covers-heavy, jam-oriented debut album Vanilla Fudge, which gradually expanded their fan base. The band settled on Vanilla Fudge, after a favorite ice cream flavor. Impressed by their heavy, hard-rocking recasting of the Supremes' "You Keep Me Hangin' On," Morton offered to record the song as a single the results landed the group a deal with the Atlantic subsidiary Atco, which requested a name change. In early 1967, their manager convinced producer George "Shadow" Morton (who'd handled the girl group the Shangri-Las and had since moved into protest folk) to catch their live act. They got so elaborate that by the end of the year, drummer Brennan was replaced by the more technically skilled Carmine Appice.
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Inspired by the Vagrants, another band on the club circuit led by future Mountain guitarist Leslie West, the Pigeons began to put more effort into reimagining the arrangements of their cover songs. In early 1966, the group recorded a set of eight demos that were released several years later as While the Whole World Was Eating Vanilla Fudge, credited to Mark Stein & the Pigeons. They built a following by gigging extensively up and down the East Coast and earned extra money by providing freelance in-concert backing for girl groups. Organist Mark Stein, bassist Tim Bogert, and drummer Joey Brennan soon shortened their name to the Pigeons and added guitarist Vince Martell. Originally, Vanilla Fudge was a blue-eyed soul cover band called the Electric Pigeons, who formed in Long Island, New York, in 1965. While the band did record original material, they were best-known for their loud, heavy, slowed-down arrangements of contemporary pop songs, blowing them up to epic proportions and bathing them in a trippy, distorted haze. Vanilla Fudge were one of the few American links between psychedelia and what soon became heavy metal.